Of singers, past and present

Today was a more emotional day than I anticipated. In preparation for St. Andrew's move at the end of next week, I went over to the church today to pack up choir gowns and music. As I took each choir gown from its hanger and folded it up, I noticed the name (or names) on the inside neckline indicating who had worn that one over the years of its existence. Most were names of those still with us on this earth, but occasionally I'd see one that has 'gone on before'. It made me think of choristers of all ages, with a wide range of experience, in many places around the world who, at one time or another, raised their voices in song. I find it rather humbling to think that I am one person, only one, in such a long line of singers and musicians stretching behind me in time. Then I imagine all those who will someday look backward to see me in that line. Today was a more emotional day than I anticipated...

Advent 1 - Anticipation!

Each year, during this busy season of Advent and Christmas, I try to attend one event where I can sit, listen, and sing unencumbered by the responsibilities of playing. You, my reader, can appreciate that as a church musician, I don't get such an opportunity all that often. For many years I attended the Advent Lessons and Carols service at All Saints Anglican here in Winnipeg. They had (it was said) the best men and boys choir in all of western Canada. Don Hadfield was the organist then, and I looked forward each year to hearing him play. His prelude was always the same: various settings of "Nun komm, der Heiden Heiland" (Come, Saviour of the heathen), each one building in intensity. This was followed by Brahms' setting of "Es ist ein Ros entsprungen" (Lo, how a rose e'er blooming). The postlude was Bach's great Toccata in F major (still on my learn-it-someday list). Those days sadly came to an end but several of those choir members are still very active and involved in Winnipeg's music scene in different ways.

One of these is Blair Anderson who is now the Organist/Choir Director at St. Luke's Anglican and yesterday I went to the Advent and Lessons there. It would have been easy to stay home. I'd already been out Friday and Saturday nights. I like to nap Sunday afternoons. It was Grey Cup Sunday and I'd probably miss the first part of the game on TV. In spite of all that, I felt compelled to go. Parking in the older part of town is often a challenge; yesterday was no exception. Two churches in two blocks, both with something going on - you get the picture. I finally got a spot, close to the church, parked the car, and got out. As I scurried across the street, I realized how excited I felt to go to worship! The anticipation of God's presence through music and scripture was almost overwhelming. I have found before that when I begin worship by anticipating that I will hear from God, it almost always happens. I was not disappointed:

Haggai 2:6-7
This is what the Lord Almighty says:
"In a little while I will once more shake the heavens and the earth,
the sea and the dry land.
I will shake all nations, and the desired of all nations will come,
and I will fill this house with glory, "
says the Lord Almighty.

On the other side of Easter

Now that Easter has come, but not quite gone, (we're still in the church season of Easter) I can focus on upcoming events. The next thing on the calendar is wrapping up the choir season at St. Andrew's. With Easter being so late this year, (I think nearly as late as it can possibly be) there are only 3 Sundays left before the Victoria Day weekend which is when we end choir for the summer. I generally feel like we're coasting downhill to the finish line and that's okay. There is a time and season to everything under the sun.

The second event on the horizon is a pair of concerts in southern Ontario in 3 weeks' time. While I'm down, I will also be able to spend precious time with my Mom and other family members, and attend the first ever national women's conference for the Presbyterian Church in Canada. All these are exciting things for me to do. Guess I'd better go practise!

Tuesday, May 17, 2011
7:30 p.m.
St. John's United Church
13 Spring St., Flesherton, ON
Suggested Donation: $5-$10

Wednesday, May 18, 2011
7:00 p.m.
Church of the Nazarene
347 Fairview Drive, Brantford, ON
Suggested Donation: $5-$10

First time ever - Part 3

Yesterday, over the noon hour, I played for the third of this year's Lenten Communion services put on by the Winnipeg Centre, Royal Canadian College of Organists. This year the series is being held at St. Andrew's Anglican Church (Woodhaven). Each participating organist makes their own repertoire selections for the half hour service and all of mine were based on hymns - some more familiar than others. The hymn that falls into the 'first time ever' category is ABERYSTWYTH, a beautiful tune of Welsh origin. The only text I believe it is ever paired with is by Charles Wesley, Jesus, Lover of my Soul.

The first time I ever remember hearing this hymn was when the choir from Canadian Nazarene College came to sing in Orkney church. I think it may have been 1971 during their spring tour of eastern Canada. I seem to recall it being sung a cappella; maybe one of my sisters will remember for sure. It's probably safe to say that the music that stays with us (especially for 40 years!) is connected to us in more than one way. I may not have remembered this hymn and the first time I heard it except that my parents taped the evening's concert on a new radio/cassette player we had with a built in mic. That tape was replayed often and the hymn remained with me. If you can ignore the lip syncing, you can hear Aled Jones singing Jesus, Lover of my Soul by going to this link. The second verse is sung in Welsh.

How things have changed!

The piano tuner came today, and I don't mind telling you it was more than time. His imminent arrival meant I had to remove all the various books, papers, and sundry articles that find their way to the top of the baby grand. I found, among many other things, 2 song sheets that I intended to write about. So even though we are past the 12 Days, I will share my thoughts on these collections from different eras.

The first song sheet, judging by the carollers portrayed on the cover, is from the 1960's. It was printed by The Bay whose main Winnipeg store apparently had a Christmas Choir that "broadcast each week-day morning from 9:00 - 9:30 over CKY - Listen in." I think the pamphlets were distributed so individuals could join in from home. Here is an alphabetical listing of all included carols.

Adeste Fideles (O Come All Ye Faithful)
Away in a Manger
Christians Awake!
Diadem (All Hail the Pow'r of Jesus' Name)
First Noel
God Rest You Merry, Gentlemen
Good King Wenceslas
Hark, the Herald Angels Sing
It Came Upon the Midnight Clear
Little Drummer Boy
O Christmas Tree
O Little Town of Bethlehem
Once in Royal David's City
See Amid the Winter's Snow
Silent Night
The Westminster Carol (Angels We Have Heard on High)
We Three Kings
While Shepherds Watched

Compare that list to the following, taken from the 2009 booklet printed by and distributed with the free community newspapers.

All I Want for Christmas
Auld Lang Syne
Away in a Manger
Dans une etable obscure (In an obscure stable?)
Deck the Halls
First Noel
Frosty the Snowman
God Rest Ye Merry, Gentlemen
Hark the Herald Angels
Here Comes Santa Claus
Holly, Jolly Christmas
I'll Be Home for Christmas
Il est ne, le divin enfant (He is born, the divine Christ-child)
It Came Upon the Midnight Clear
Jingle Bells
Jolly Old Saint Nicholas
Joy to the World
Les anges dans nos campagnes (also in English, Angels we have heard on high)
O Christmas Tree
O Come All Ye Faithful
O Little Town of Bethlehem
Oh Holy Night
Rudolph the Red Nosed Reindeer
Santa Claus is Coming to Town
Silent Night
Silver Bells
We Three Kings
We Wish You a Merry Christmas
What Child is This
Winter Wonderland

Besides the obvious fact that the second has a lot more songs in it, the other thing that strikes me is the number of secular Christmas songs. A rather accurate reflection of our society's celebration of this holy-day in the first years of this 21st Century.

They don't write them like this anymore...

I was sorting through some choir music the other day and came across an anthem c. 1926 - original price: 22 cents, but that was stamped over with "25 cents". Goodness knows how long ago that music was purchased! The title is: In Joseph's Lovely Garden, words by Helen A. Dickinson.

In Joseph's lovely garden
The Lord Christ's tomb was made,
And there His broken body
To rest was gently laid.
A great rock strongly sealed it,
That Death might have full sway;
But God sent down His angel,
To roll the stone away.

When dawn was faintly breaking
Across the garden fair,
Three women entered weeping,
Bearing spices rare.
Then spake the guardian angel,
In shining raiment bright,
He whom ye seek is risen,
And Death is vanquished quite!

O angel of the garden,
Descend to us today,
And comfort all our sadness,
And drive death's fear away.
We all are sorrow laden
Speak to our hearts we pray,
"He whom ye love is risen,
And lives with Christ alway!"

O Jesus, blest Redeemer,
All praise to Thee we bring;
No power of death could hold Thee,
Our Saviour, Lord, and King!
As Thou has ris'n all glorious,
May we one day arise,
O'er sin and death victorious,
In Thy blest Paradise.

I dare say that 80+ years ago when this was written, the language used in it was much closer to 'everyday' than it is now. Although the use of Thee, Thou and Thy is very poetic, it's not used much in literature or church today. I also find it interesting that Death is capitalized in places, almost as if it is a person (the grim reaper?). One thing that I wish was done today that I see in this anthem is capitalizing him, or his when it refers to Christ. I'm not sure why that isn't done anymore... Does anyone out there know?

First time ever - Part 2

Yesterday the choir at St. Andrew's sang a setting of the Swedish hymn "Children of the Heavenly Father" and I thought I'd tell you about the "first time ever." I first remember hearing this hymn about 35 years ago when our District Superintendent, Neil Hightower, came for a Sunday to worship with us in Sarnia. He must have brought the music with him as I don't recall it being in the hymnal we would have been using at the time. I also don't remember who accompanied him - my sister or me. Those details didn't stay with me, but the hymn itself certainly did. It is such a lovely, simple tune which is so appropriate for the words. Here is a link to a brief video excerpt where Professor Gracia Grindal, tells a little about the life of the author, Lina Sandell.

Children of the heav’nly Father
Safely in His bosom gather;
Nestling bird nor star in Heaven
Such a refuge e’er was given.

God His own doth tend and nourish;
In His holy courts they flourish;
From all evil things He spares them;
In His mighty arms He bears them.

Neither life nor death shall ever
From the Lord His children sever;
Unto them His grace He showeth,
And their sorrows all He knoweth.

Though He giveth or He taketh,
God His children ne’er forsaketh;
His the loving purpose solely
To preserve them pure and holy.

Lo, their very hairs He numbers,
And no daily care encumbers
Them that share His ev’ry blessing
And His help in woes distressing.

Praise the Lord in joyful numbers:
Your Protector never slumbers.
At the will of your Defender
Ev’ry foeman must surrender.

Not My Favourite Hymn

Not too long ago I posted about one of my favourite hymns. On Sunday the choir sang a hymn for the anthem. This is not our usual practice, but it was necessary as I had cancelled choir rehearsal due to a late spring blizzard (the driving was treacherous!) and the anthem we had been working was not far enough along to sing. When I choose a hymn for the choir to sing on days like that, I try to find one that is not well-known to the congregation and that was indeed the case. It was a hymn that I knew well and one that I'm not particularly fond of. Two things happened: 1) God spoke to me about my role as leader. 2) The whole situation made me reflect on why it is a hymn I don't enjoy.

About the first - as a leader, it would be easy to always/only choose music which I enjoy. God reminded me that, even though I don't particularly like a certain hymn/song, it may very well speak to someone else in the congregation. There are times when I must set aside personal bias in favour of the whole community. All of that led me to reflect on why I don't really like that hymn. It came down to association with a certain time and place. My dislike has nothing to do with the text itself.

My guess is that the same would hold true for others too. I've heard people say, and likely you have too, "I can't stand that song!" Do they take theological issue with the words? Or is it, as it was with me, that they associate that song with something long past which brings back memories? God gently reminded me that each of us is unique. What speaks to me may not speak to you. We have different tastes and preferences yet we can worship God together.

The Music of Black History Month (3)

Traditional spirituals are the songs that come to my mind when I think of music representing Black History Month. In reality, this one style of music has, over many decades, grown, evolved and definitely influenced a lot of other music. Jazz and gospel are 2 styles that can claim roots in early spirituals.

Choirs all over the world have traditional spirituals in their repertoire. One very moving experience I had a couple years ago was hearing a recording of the Men's choir from the Theological Seminary in Cluj, Romania. This choir is led by Canadian Brian Johnston who is sponsored by the Presbyterian Church in Canada, and teaches English and Music at the seminary. The choir toured eastern Canada from Sept. 20-Oct. 10, 2006 and the recording was made during their visit to PCC offices in Toronto. You can listen to it by going to: www.choir.tk/. You will find the video clip under "Table of Contents - Choir Tour 2006". I hope you enjoy their rendition as much as I do.

The Music of Black History Month

Over the last few years, it has become a tradition to celebrate Black History Month in the music during worship at St. Andrew's. This happens in different ways. Sometimes the choir presents a significant piece; other times the congregation is involved. The anthem sung on Feb. 1st was Amazing Grace, probably one of the best known hymns around the world, in a wonderful gospel arrangement by Jack Schrader. The words were written by John Newton (1725-1807) and are one of the reasons why we still recognize his name today. His mother died when John was only 6 years old and by age 11 he had followed his father to sea where John gradually rose through the ranks to become a slave ship captain. 'Through many dangers' he eventually came to faith in God and, over time, was ordained to ministry in the Anglican church. He supported William Wilberforce in his efforts to abolish slavery in Britain.

The poem we now sing as the hymn, Amazing Grace, was originally titled "Faith's Review and Expectation" and has as its subtitle the reference I Chronicles 17:16-17.

Some info from Out of the Depths, an autobiography of John Newton which was originally published in 1764. Portrait of Newton from Wikipedia.

Advent: Preparing for Christmas (4)

You may find it strange to learn that, even though I'm a musician, I don't have music playing in my house all the time. Oh, there are times when the house is full of music because my family members play, and because I have students coming in 3 days a week. I have noticed though, especially over the last few years, that the busier I am with my own music-making, or that of my choir and congregation, the less I listen to the music of others! I guess there just isn't room in my head for all the music I'd like to enjoy at this time of year, as well as all the music I'm trying to prepare or help others prepare. And let's not forget, we are still in Advent, that season of waiting for our Messiah, of preparing for His coming. If you are like me, there are still many preparations to be made...

Last year, about this time, I headed off to the grocery store one morning. I was feeling overwhelmed with all that yet needed to be done, (kind of like today!) and getting the groceries seemed to be just one more thing on the lengthy 'to-do' list. It was one of the rare occasions when I did have the radio on in the car and as I pulled in to the parking lot and parked the car, over the radio waves came the familiar strains of the Hallelujah Chorus from Handel's Messiah. I sat and listened to the whole piece and by the end the tears were streaming down my cheeks. God spoke to me through that beautiful music and reminded me of the reason for all our preparations. Our Messiah is coming! He will be crowned King of Kings, and Lord of Lords! And He shall reign forever and ever. Hallelujah!

Prepare the way of the Lord!

On Sunday the choir sang a moving arrangement of text from Isaiah 40:1, 3-5 and 7:14 in a setting by Lloyd Larson (pub. 1993 by Providence Press under the title: A Voice Cries Out, "Prepare the Way of the Lord"). I would guess these verses to be some of the most commonly used for Advent anthems. It brought 2 streams of thought to mind.

1. How do we prepare the way for the Lord? In the Bible, we have examples like Isaiah who proclaimed the coming of the Messiah many years before the promise was fulfilled. He didn't know that at the time, of course; he was relaying the message God gave him. The other example that came to mind was John the Baptist. His proclamation was perhaps more desperate, and definitely more immediate as he knew that Christ, the Messiah, was on earth. So, back to my question. We prepare the way for the Lord by proclaiming that He has come, and that He will return and we must be ready for that day.


2. There are 3 musical settings of this text that pop into my head - probably more if I really stopped to think about it.

• The first is from Handel's Messiah - the tenor, assuming he does it well, boldly proclaims "...make straight in the desert (rest) a highway (rest) for our God. (chord, chord)."
• The second is the one I mentioned above by Larson. The part I find especially moving comes after a quiet section of "Comfort, comfort my people" when the choir builds on the phrase "The glory of the Lord shall be revealed!" - then moves right into "A voice cries out, 'Prepare the way of the Lord,'" etc.
• The third one, which I'd love to use at the beginning of a Christmas Eve service (maybe next year?!) is the version from Godspell. Wouldn't that be an exciting way to herald the birth of our Lord?